Where the control is
Desktop composer
The mic glyph sits in the composer’s toolbar row. Press and hold to record, release to stop. The keyboard equivalent is Ctrl + ` (control and the backtick key): holding it starts recording, releasing it stops.
Phone command bar
The mic control is in the bottom command bar, on the same wire as the desktop one. Tap to start, tap to stop.
⌘K) has the same mic next to its field, so you can dictate what you are about to work on there too.
What happens to what you said
The recording goes to Donna’s transcription service and comes back as text, lightly tidied: filler sounds are trimmed and your wording is kept. If the tidying step fails, you get the raw transcript instead of nothing. Transcription is also primed with the names of your active Outcomes and Actions, so the words specific to your work come back spelled the way you spelled them. Then:- The text lands in the composer. It is not sent yet.
- You can edit it, add to it, or delete it.
- You send it the way you send anything else.
When dictation helps
- The thought is long and tangled and typing it would flatten it into a to-do.
- You are avoiding something and talking through the first step is easier than writing it.
- You are wound up and saying it out loud costs less than composing it.
- Your hands are busy.
What dictation is not
- Donna does not answer out loud. There is no spoken reply, no read-aloud, and no audio version of anything Donna says.
- There is no live call. You cannot have a back-and-forth spoken conversation with Donna. A live voice mode existed earlier and was removed.
- There is no voice demo before you sign up. The browser demo that used to sit on the landing page, and the conversation it carried into a new account, are gone. Signing up starts you on the same first-run flow as everyone else.
- Dictation does not send for you. Every dictated message waits in the composer until you send it.
If it does not work
The browser asks for microphone permission the first time. If you decline, the mic control cannot record until you grant it in your browser’s site settings and reload. If the mic cannot start, or a transcription does not come back, a short note says so and the composer stays typable the whole time. Anything already in the composer is untouched; record again or type instead. If a recording comes back empty or wrong, edit the text in the composer or record again. Nothing has been sent yet, so a bad transcript costs you only the retake. Dictation has a daily limit. Past it, a note asks you to pick it back up later; typing is never limited.Where else Donna lives
The same Donna in your browser and on a phone screen, with the same memory everywhere.